By Derren Brown
Absolute Magic, in fine condition. a bit dusty on most sensible, yet different then that its pretty well mint.
This is the second one version.
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Additional info for Absolute Magic
Lists to play on the common insecurities from which most people suffer. I’m thinking of statements like, “You enjoy company and like to present quite a tough exterior, and one which people respect you for. Rut when you come away from such gatherings you tend to replay conversations in your head, wondering what impression you made on people and what so-and-so meant when he made a certain comment. This sensitivity and worry is in contrast to the laid-back and secure veneer that you present. ” Surely this is a fantastically unpleasant thing to say to anyone.
It’s a brief frivolous cadenza again against the solemn adagio of your real work that grows over the years. This certainly raises the issue of flexibility of vision. Either we see the situation of the noisy corporate function as the failure of our vision, or we incorporate the necessary response on our part into the vision and make it more well-rounded. s. Our vision is about performing real, believable magic. It is not actually real, at least to our intellects and probably to many of the intellects of some audience members, but it is emotionally real, to us included for we believe it at that level.
A very useful thing to be able to do, I ventured, and there would always be agreement from the group. The trick would begin to form: I would ta& about how confusion is a piling up of different ideas... ~‘s I dealt reds and blacks into an alternating, face-up pile. Then I would talk about how the artists would create their state, and how in that state, nothing appears to be confused... and the cards would now have separated. This time the spectators would do it: I would have the principal spectator alternate the cards and take four in each hand.
Absolute Magic by Derren Brown